“As they say in British Films, ‘the game is afoot’, and for Ms. Liviakis, that’s so true because she’s coming…here comes that New Kid in Town.”



Caroline Liviakis’ primary goal as a choreographer and director is to inspire enthusiastic involvement and appreciation of concert and commercial dance from traditionally untapped audiences. Her innovative aesthetic and artistic philosophy are based on four cornerstones.



A true work of art is both technically sophisticated and commercially entertaining.

face can be choreographed just the same as the body.


Dance and film should be held to the same standard in effectiveness and clarity as speaking and writing.


Commercial and Concert/Art House styles are better when blended together.


Realism is boring. Dance and film should full-heartedly escape the confinements of reality.



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